Saturday , October 16 2021

Paris, where Freud, art and religion meet



Sigmund Freud was born in a Jewish family, but since childhood he has become a person who wants to separate his Jewish ancestors from psychoanalytic science, as well as being an atheist. To be a scientist he believed that he could not communicate with religion. Two years before his death, however, at the age of 81, he attempted psychoanalysis of Moses' death and published "Moses and monotheism," which he called the "scarce dependent family" of Judaism. Freud reminds us of the death of Moses in the Old Testament, which was originally at the top of the mountain and only looked at the "promised land" of Israel. Moses died only at the age of 120. Freud said Moses' followers had murdered him in a frustrated rebellion. This guilty, which has been handed down to the Jews for thousands of years, continues to turn them into religion in order to obtain spiritual comfort and a kind of historical penance.

"If Freud always gets out of religion, he announces the return of Moses and monotheism to his Jewish origin," said Philippe Comar, a multimedia French artist. " The Freud exhibition at the Museum of Jewish Art History in Paris.

However, it is not always right that Freud was always out of religion. He mixed Judaism with psychoanalysis before. In his previous book, "Civilization and its Grievances," Freed asserts that religion, like preaching violence, has created the ultimate conflict between religion and man, contrary to the natural human urge to pursue power and sex in some way. did. In Freud's medical case study, "A Five-Year-Old Boy's Phobia Analysis," especially in Freud's footnotes, the tradition of Jewish circumcision due to castration insecurity was "the root of the deepest unconscious of Anti-" – hatred. In an effort to avoid the spiritual aspects of the religion raised, it seemed to apply the historical implications with the tenants in relative terms.

Until February 10, 2019, "Sigmund Freud: Looking to Listening" is an attempt to gain insights into Freud's Jewish perspective while celebrating the 20th anniversary of the Jewish art and history. Proud has more than 200 drawings, books and scientific tools. Gustav Kurbet, Gustav Klimt, René Magritte and Mark Rossko. It is a member of Academie francaise, an art historian and artist, Jean Clair, who is also an anonymous Academy francaise. It is composed by Egon Schiele of the Leopold Museum in Vienna and drawings by Klimt And the famous "Origin" Courbet of the Orsay Museum are located across the Seine from the "World of the World"

At Salpetriere Hospital in Paris, which is not embarrassed by the Paris exhibition, Freud, along with Professor and Professor Jean-Martin Charcot of Proud, has been working on the concept of "hysteria" ) "On the negotiations. Freud of psychoanalysis worked in Charcot for four months. Although he has a short fellowship, Charcot's research on hypnosis and hysteria is constantly focused on emphasizing Freud's cultural frenchness. His curiosity is unique to France. It is true, however, that Freud was especially pleased to discover the audience at the Paris Salon. The Western European literature community generally accepted the rapidly growing theory of psychoanalysis more than the scientific community of the time.

But this exhibition is more interested in Jewish people than proving Freud's French goodwill. His father's family was Hasidic Jews, and his latent Jewish identity, as acknowledged in the Autographiology Study, inspired some form of morality that always involves non-conformist and sexual desires as scientists. Any form of law or belief system. This probably helps to explain most of his mental theory that "Looking Looking to Listening" best describes the underscore, among other things.

Indeed, a deep psychoanalysis of Freud's deep relationship with the Jews has yet to be attempted, but the surface is scratched. And it seems to be deep. Even Freud himself was surprised that his Jews continued to influence him. In 1931, friend David Feuchtang had an increasing influence on his religious identity. "Somewhere in my soul, in a very hidden place, I am a fanatic Jew." Freud wrote at the age of 75. "I am very pleased to discover myself despite all my prejudiced and impartial efforts, how can I do it at my age?"

"Sigmund Freud: Listening and Listening" will be shown at the Paris Jewish Museum of Art History until February 10, 2019. For more information: www.mahj.org/en


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